My Life, nevertheless, emanates from some deep, dark place where both sadness and happiness cohabitate and turn into one single, beautiful sorrow. The stunning second album from Mary J Blige – a record that showed that both the singer and her new form of soul music were around to stay Production is from Sean Combs and Chucky Thompson – very heavy on beats borrowed from the underground, but nicely tuned to the mainstream – all with a streetwise vibe that immediately made the lady such a nice contrast to some of the more. Blige's strain is sleekly modern and urban, and the grit in it comes from being streetwise and thoroughly realistic about the travails of life. The 1994 album has become her opus magnum, and the project is often sighted for housing some of her best work, including songs Be Happy, I love You.
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However, no moment in her career is more revered than her second studio album, My Life. Blige took a huge leap in artistry by penning almost everything herself (the major exception being Norman Whitfield's "I'm Going Down") in collaboration with co-producers Combs and multi-instrumentalist Chucky Thompson, and everything seems to leap directly from her gut. Bliges persona as a ghetto diva, building on the success of her debut, Whats the 411.Although a fairly bleak, sorrowful album, reflecting on her turbulent private life, this is a collection dressed in bright, shiny, soulful packaging. The R&B icon has been making hits for over two decades.
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My Life is, from beginning to end, a brilliant, wistful individual plea of desire. The hip-hop part of the combination takes a few steps into the background, allowing Blige's tortured soul to carry the album completely, and it does so with heartwrenching authority. But it is some of the finest modern soul of the '90s, backing away to a certain extent from the hip-hop/soul consolidation that Blige introduced on her debut album. This certainly isn't your parents' (or grandparents') soul. Blige - CD (1994) for 16.30 from R&B / Soul Spin : Ranked 72 in Spin Magazine's '90 Greatest Albums of the '90s. The melodic sources this time around, though, are so expertly incorporated into the music that they never seem to be intrusions, instead playing like inspired dialogues with soulsters from the past, connecting past legacies with a new one. The production is not exactly original, and there is evidence here of him borrowing wholesale from other songs.
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I wouldn't be here right now if he hadn't actually come to those. 'In the music world, Andr is actually my father. Blige told The Hollywood Reporter that she still doesn't have enough words to express his impact on her life. Perhaps the single finest moment in Sean "Puffy" Combs' musical career has been the production on this, Mary J. Harrell, who died on May 7, 2020, was interviewed before his death for Mary Blige's Amazon Prime Documentary, My Life.